PROMINENT LANDMARKS

A series of traditional bamboo huts, aligned neatly below Norzin Lam, right opposite the Nehru Wangchuk Cultural Centre is the Authentic Bhutanese Crafts Bazaar which showcase a wide range of authentic Bhutanese Arts and Crafts. 

The total of about 80 stalls that stretches half a kilometer covers all aspect of traditional Art and Craft for both contemporary use and market needs. Some items have been improvised to match up with market demands, others tailored for modern touch but most forms still remain unaltered. 

The bazaar was initiated in 2011 to provide Bhutanese artisans a platform to showcase their products. With the products sourced mostly from rural areas, the bazaar aims to promote Bhutan’s craft industry by creating a feasible market. The initiative is also expected to bring about equitable socio-economic development while preserving Bhutan’s unique culture. 

You can find an interesting range of genuine Bhutanese handicrafts and textiles available for sale here. From scroll painting (Thangkas) to embroidered boots to Mandala painting, it is the place to buy souvenirs. Among the stalls are some specialized in tailoring and embroidery, traditional fabric and papers, gold and silver ornaments among others. 

The stalls open by 10:00 AM in the morning till 6:00 PM in the evening. It takes a good couple of hours to browse through the stalls. Other places most popular for shopping in Thimphu includeThe Craft Gallery,Gagyel Lhundrup Weaving Centre, National Handicraft Emporiumand Tarayana Rural Products among others. 

The Bhutanese culture and tradition is richly reflected in its Arts and Crafts. The government in order to preserve and promote opened the national institute for Zorig Chusum (School for Traditional Arts and Crafts) in 1971. The institution teaches the students to paint, wood craving, sculpture and calligraphy.  

 Zorig chusum/ the thirteen crafts introduced in 15th century by Terton Pema Lingpa is categorize as follows: 

• Thagzo (Weaving)

• Tshazo (Bamboo and Cane Craft)

• Shagzo (Leather work)

• Garzo (Blacksmith)

• Jimzo (Clay Crafts)

• Dozo (Stonework)

• Lugzo (Bronze Casting)

• Shingzo (Woodwork)

• Tshemzo (Tailoring)

• Troezo (Silver and Gold)

• Parzo (Wood, Slate and Stone Craving)

• Dhezo (Papermaking)

• Lhazo (Painting)

High up in the mountains one hundred thousand angels descended and left footprints on a rock 800 years ago. Now a group of horses, yaks and tour guides eagerly wait to take tourist not to see the sight but rather experience mythology of Bhutanese history, tradition and culture 3800m above sea level.

The trek itself requires a degree of fitness as in some areas it can be difficult but as yak’s and horses carry all of the luggage except for your personal backpack it only requires a medium level of fitness. The trek depending on your specification can have the luxury of a bed set up or simple sleeping bags both of which give a unique take on the whole experience.

The trek like most places in Bhutan have some flat areas and many uphill areas but regardless of where you are the scenic view is extraordinary. Certain parts where small stupas (A small structure containing religious artifacts inside) decorate the area showcasing the Bhutanese religious take of interacting with nature. In one area on the way to the start of the Bumdra trek in Punakha, there is 108 small statue along the way to the Dochula pass which many Bhutanese stops for a break and walk around to admire the sight. 

Treks can start at Sang Choekor which is in Paro, which also has Buddhist college known as Sang Choekor Lhakang where you can visit briefly and ask for a blessing for a good trek from the monks. After the blessings, the trek starts with the first landmark being Chhoe Tse Lhakang temple about 2 hours away. The trek starts in a forestry ridge where Bhutan's untouched nature is seen in all its beauty. This continues on till a clearing is reached with prayer flags serving as landmarks and a breathtaking view of Paro and Do Chhu valley.

The Chhoe Tse Lhakang when reached has a grand view of Paro valley and the snow-capped mountain ranges that surround Bhutan.

A small break is recommended to take in the view as after taking in the sights it takes 20 minuets to pass through the ruins and prayer flags to get back into the forest. After an hour traversing in the forest, a open meadow with religious chortens and prayer flags are the only sign of human influence in the untouched landscape.

From the meadow the Bumdra monastery where most people camp for the night is only a short while away after which reaching offers lunch and meditation practices. The beauty of Bumdra monastery and its surroundings is best seen as words can only provide the slightest understanding of its vistas.

After spending the night the trek route often takes people back to Paro through the Taktsang monastery which is described in another article as a short summary of which does not do it justice. The descent back into the valley of Paro is marked when the golden roof’s and great monastery of Taksang is seen thus marking the end of the Bumdra trek. 

Bhutanese often view these treks as something to do with their family and friends over holidays. The experience is memorable with family and friends as the cold winds batter the tent all your loved ones huddle around the camp fire with hot food is a memory that will last a lifetime. For those who like a campsite horror story ask your tour guide as Bhutan’s ghost stories should give chills equal to the cold temperature.

While the trek route and landmarks can be explained the true essence of it cannot be captured in mere words instead taking a few days to experience the trek is minutes worth it.

About 10 minutes’ drive from clock tower, near Wangchhu river and just north of Changlimithang Stadium is Thimphu’s busiest domestic market. Her Royal Highness Ashi Dechen Yangzom Wangchuck inaugurated the current Centenary Farmer’s Market in the year 2008 before which famers operated the open, on structures of rows with roofs and tents in between.

Centenary Farmer’s Market is a two story building with about 400 stalls that provides farmers from around the country the opportunity to display their produce and people a chance to support the local agriculture.Vendors from throughout the region starts arriving on Thursday and Friday, and remain till Sunday night. The best time to explore the market is within these three days when the rush of trade is going on. It is also a great way to get acquainted with the locals and learn about the ingredients of a Bhutanese diet. Also watch the residents’ horde the market,choosing the best of the season’s product.

The lower level of the building is where all the imported fresh produce is while the upper level is reserved for local harvest.You can find a variety of fresh, organic produce at affordable prices.Every week vendors from as far as Lingshi in the north and Dagana in the south travel for the busiest days of the week which is explosive of colors and scents,to sell variety of fruits, vegetables, herbs and spices. 

The first floor is filled with the local products starting from dried seeds, herbs to fresh seasonal fruits. And authentic traditional product like traditional yeast used for making local wine, pure honey, banana flower, dried cheese, cherry-pepper and many more. While most vegetables in the Farmer’s Market are seasonal, the dried chilies are the only permanent feature throughout the year. 

Wander off and in the cereal section of the Farmer’s Market, you will see a display a wide variety of rice: Boyo zaw (puffed rice), zaw (roasted rice), Colourful Mekhu (Crispy rice crackers), kabchi (roasted, ground wheat), tengma (roasted, flattened maize) and kharang (pounded maize), all an important part of Bhutanese cuisine. 

A little away, you will find a pungent collection of dried fish, strips of pork and balls of datse (homemade soft cheese). Besides fruits and vegetables, a variety of incenses are among the locally produced goods sold. Fragrant incense powder (sang) of different varieties are displayed at one corner of the market. These incense powders are made from specific ingredients available only in high altitude. 

Outside the Farmer’s Market, small meat shops that sells fresh cut of meat and dried meat and canteens are crammed with buyers. You can easily spend over an hour going around, an hour more if you are planning to talk to the farmers. 

The market is open all days of the week, from7:00 AM to 7:00 PM except Mondays. 

Across the cantilever footbridge on the west bank is a handicraft market along with affordable imported products. 

Products includes prayer wheels, jewelries, and wooden bowls to name few. 

On the way to Thimphu from Paro the observant eye might spot a strange and what appears to be a dilapidated bridge. On closer inspection the bridge looks stripped clean yet this is how it was meant to be. 

In the 1300's Drupthob Thangtong Gyalpo built 108 bridges made out of chain links intertwined. This particular bridge is well known amongst Bhutanese, as it is a landmark on their travels between Paro and Thimphu and many stop to cross the bridge. 

The bridge that was built in the 1300's still is structurally sound and can be crossed leisurely which speaks volumes of Drupthob Thangtong Gyalpo blacksmithing abilities. 

When on the bridge it is a unique feeling of being suspended in the air with the wind from the river below creating a sense of movement, flying perhaps. In most countries great blacksmith's work is often sealed off in a museum with a glass separating people from experiencing it however, the Chain Link Bridge representing 700 years of history with each step is open to the public and so with it the ingenuity and craftsmanship of one of Bhutan's greatest blacksmiths. 

The bridge leads to the Tachogang temple meaning the 'Temple of the hill of the excellent horse' which is beautifully positioned on the base of a mountain and built by the same the great iron bridge builder Thangtong Gyalpo.

The main shrine of the lhakhang holds the relics: statue of Lord Buddha, Zhabdrung, Guru Padmasambhava and Chenrizig Avalokiteshvara.  There also is a stack of ancient books (Kangjur and Tenjur) and a walking stick of Drupthob Thangtong Gyalpo.

The surrounding hills are devoid of trees and make for a good spot for a picnic near the river side. However it would be wise to avoid areas where the cattle frequent. The calm breeze during the summer here make it for a very scenic stroll however during the winter the temperature makes the area a bit more hostile to those not equipped for the temperature. 

The bridge is on route to the Airport no matter where you go in Bhutan so it is recommended like many Bhutanese to take a few minutes to cross the Chain Linked Bridge and experience 700+ years of Bhutanese history. 

Bhutan is a mountainous country linked with series of passes.  Located at 3810m (13,000ft), between the valley of Paro and Haa is Chele La, the highest road pass in the country. 

Popular for short excursion (2 and half hours), many tourists are seen visiting the vantage point. Some prefer driving, some hiking and many wheels down either to Haa or Paro valley in their mountain bikes. The drive to Chele La is through dense spruce and larch forests. Depending on season you will encounter various sights such as frozen river, waterfall, rhododendron forest and yaks grazing peacefully.  On a clear day, you can view Mt. Jumolhari(Bhutan's most sacred peak at over 22,000 ft) along with Jichu Drake and adjoining peaks to the North West, as well as the view of both the valley (Paro and Haa). 

Few things to watch out for driving along the way are:

• Roadside drub chuu (spring) with rock paintings of Guru Rinpoche and his two consorts.
• DzongdrakhaGoemba, just two km away it is famous for its large white Nepali style chorten perched stunningly on a cliff ledge.  The site is where Guru Rinpoche suppressed local demons and is definitely worth a detour
• If you like getting off the beaten track and want to stretch your legs, hike to kilanunnery, established as a mediation site in the 9th century; it is the oldest nunnery in the country

Other popular passes of Bhutan includes DochuLa  at 3,116 metres (10,223 ft) between Thimphu to Punakha , which features 108 chortens- known as the Druk WangyalChortens or “Chortens of the victory of the Druk Gyalpo”.

East of WangduePhodrang is the Pele La at 3,390 metres (11,122 ft). Continuing to the east along the main highway is Yotang La, Shertang La, Wangthang La, Thrumshing La and Kori La. 

A single clock tower rests in the heart of Thimphu city with long dragons facing towards the clock and colorful Bhutanese designs carved onto the surface of the tower. The dragons represent the independence of the dragon kingdom of Bhutan.  It is one of the most well-known landmarks in the capital drawing a steady stream of people at all times of the day. 

The design was made so that locals could hang out in around the clock tower square due to its spacious nature. It attracts the youth with all different interests ranging from dancing, small football games to people who just want to hang out. Other than just hanging out the Clock tower square is surrounded by shops, café’s and video game parlous making it a convenient place to make plans. Notable restaurants in the area is Druk Hotel’s kitchen known for their Indian food and there is lots of gift shops in the area ranging from Clothes, Shoes, Phones to more traditional Bhutanese gift items such as hand woven bags and prayer wheels.  

Aside from the youth there are a few older people who spend time walking around the square spinning the prayer wheels located around the tower. It is in the Clock Tower that you can see how the old and new Bhutan converge as the sight of the most fashionable street ware is touted while rapping right next to the most traditional Gho and Kira’s (National costume’s) worn by the elderly simply passing time by spinning prayer wheels and praying. 

However there are a few events in a year, where special events like concerts, fairs, dance competitions and other events that draw in a huge crowd. On days like these Bhutanese show their talents off. Although young the Bhutanese take on modern culture has created a truly unique sense of “je ne sais quoi” that can only truly be experienced. This ranges from the dance styles, rapping, and singing showing how the youth have decided to adapt it and make it theirs. 

In the end clock tower is more than just a timepiece or a land mark, it is a place that many Bhutanese find comforting, a place where some would argue modern Bhutanese culture (Street ware, fashion, rapping, and hip-hop dancing) cumulated. 

Since it is located in the center of Thimphu it is an easy must see place taking only really 10 minutes to explore however the shops itself merit another hour as there is much to purchase as memoirs of Bhutan. 

Dochula Pass is a beautiful mountain pass located between Thimphu and Punakha in Bhutan. It offers a breathtaking blend of natural beauty and rich cultural heritage.

The Dochula Pass is a historical landmark built to honor the bravery and sacrifices of the fourth king and the soldiers who perished during the battle against Assamese insurgents in 2003.

It particularly marks the victory of King Jigme Singye Wangchuck who dislodged the rebels from their camps (there were 30 camps) in Bhutanese territory from where they raided the Indian territory of Assam. After the war, the King went back to Thimphu on 28 December 2003.

This iconic landmark in Bhutan stands at an altitude of 3,100 meters and boasts panoramic views of the snow-capped mountains, including the majestic Gangkar Puensum.

Whether you're a nature lover, history enthusiast, or spiritual seeker, Dochula Pass promises an unforgettable experience. Discover the reasons why this serene haven should be on your Bhutan itinerary.

1. 108 Memorial Chortens At Dochula Pass

Ashi Dorji Wangmo Wangchuck, the eldest Queen Mother of Bhutan, built 108 memorial chortens known as “Druk Wangyal Chortens” at Dochula Pass in honor of the fourth king, His Majesty King Jigme Singye Wangchuck. The chortens were built adjacent to the country's first Royal Botanical Park.

A chorten, also known as a stupa, is a sacred structure in Buddhism that represents the Buddha's enlightened mind. It often contains relics, offerings, and sacred texts. The chortens serve as a place for prayer and meditation, making it a must-visit for those seeking a spiritual and cultural journey.

The 108 chortens at Dochula Pass are arranged in three layers, with the first layer comprising forty-five chortens, the second with thirty-six, and the topmost layer having twenty-seven, encircling the main chorten.

These chortens were constructed following specific religious rituals. As they reached a height of 1 meter, a pit was dug at the center for symbolic offerings.

As the chortens grew taller, clay images of Buddhist gods were added. The "vital stage" involved erecting the sokshing, a sacred juniper pole wrapped in silk and adorned with religious artifacts, on an auspicious day.

The 108 chortens at Dochula Pass are not only a marvel of architecture but also hold deep spiritual significance. Visitors can experience the peaceful ambiance and stunning views while reflecting on Bhutan's rich cultural heritage.

2. Breathtaking Nature Views From The Mountain Pass

If you are going to Punakha (the old capital) from the current capital of Bhutan, Thimphu, you'll definitely pass through this area. The pass was part of an ancient trail between Thimphu and Punakha, such as the Dochu La Nature Trail.

It has long served as a perfect rest stop for travelers to stretch their legs, take in the breathtaking views, and enjoy the peaceful ambiance. Surely, the Dochula Pass is one of the main highlights of your trip.

You can never take a bad photo at the stunning Dochula Pass. In fact, if you are lucky, you can even see the Himalayan range in full view on a clear day from the mountain pass. Gangkar Puensem, at 7,158 meters (23, 484 ft), the tallest unclimbed mountain in the world, can be seen from Dochula Pass.

 

 

 

 

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3. The Sacred Forest And Prayer Flags

The slopes around Dochula Pass are adorned with cypress trees and colorful prayer flags, which hold deep religious significance for Buddhists.

These flags, in five colors representing natural forces—blue (sky), white (clouds), red (fire), green (water), and yellow (earth)—are inscribed with prayers to bring prosperity and peace.

The vibrant flags fluttering in the wind create a serene and spiritual atmosphere, making it a unique and tranquil spot for visitors to experience Bhutan's rich cultural traditions.

4. Dochula Pass’s Flora And Fauna

After the Losar festival in February, which marks the Bhutanese New Year, and as the snow melts, the pass provides a spectacle of many species of flowers such as the Primal Denticulata, Primula Garcilipes, rhododendrons, and Magnolia campbellii.

Another fragrant plant, that people come to enjoy is the Daphne which is a small shrub which blooms with white flowers amidst an array of prayer flags that are fixed on the slopes. The bark of this plant is used to make paper which is a traditional paper used for writing religious scriptures as it is termite-free.

5. Druk Wangyal Lhakhang

Apart from the chortens, there is a monastery built nearby called the Druk Wangyal Lhakhang. The monastery was built against the backdrop of pristine forest of the snow-covered Himalayan mountains. The construction was completed in June 2008.

The temple was built as a memorial to celebrate 100 years of monarchy in Bhutan. Paintings on themes of Bhutanese history decorate the walls of the temple. Some of the paintings include the fourth King fighting Indian rebels in the forest, monks with laptops, and a Drukair plane.

6. Dochula Druk Wangyel Festival

The open ground in front of the monastery is a venue for the annual Dochula Druk Wangyel Festival. The Dochula Druk Wangyel Tshechu is a Bhutanese festival held annually on December 13. The festival is unique in Bhutan and the performances are unlike any other festivals.

Usually, monks and laity are the ones who perform during a Bhutanese festival, but the Dochula Druk Wangyel Festival is performed by the Royal Bhutan Army. This festival was established in 2011 to commemorate the victory of the Fourth Druk Gyalpo and the Armed Forces in 2003.

A special Tsechu was composed for the occasion by Dasho Karma Ura, and it involved costumed mask dances. It is a tribute to the wise leadership of His Majesty Jigme Singye Wangchuck and to celebrate the continuous efforts of the Royal Bhutan Army in protecting the sovereignty and the stability of the country.

This one-of-a-kind tshechu is performed against the backdrop of the magnificent Himalayan mountain range.

The Best Time To Visit Dochula Pass

The weather at the pass generally remains foggy and chilly. However, between October and February, panoramic views of the Bhutan Himalayas can be seen. The Dochula Pass remains beautiful in all seasons. Sometimes, you may even see snowfall at Dochula Pass and capture the chortens majestically covered in snow.

Best time to visit Bhutan

Conclusion About Dochula Pass

Dochula Pass is a beautiful mountain pass that offers a unique blend of natural beauty, cultural heritage, and spiritual significance. With stunning views of the snow-covered Himalayas and the 108 chortens, it stands as a popular tourist attraction.

For a seamless experience, consider booking with Druk Asia, a trusted Bhutan tour operator. We offer bespoke packages that provide a deep dive into Bhutanese culture and other attractions, including other mighty peaks.

Let Druk Asia guide you through this magical journey and make your visit to Dochula Pass unforgettable. Book a Bhutan tour today!

Folk Heritage Museum located in Kawajangsa, in the heart of the capital city, Thimphu. It is within the walking distance of the National Library of Bhutan and the National Institute for zorig choesum (13 Traditional Arts). The Folk Heritage Museum dedicates itself to connecting people with the rich Bhutanese Folk heritage and rural history through exhibits, demonstrations, educational programs and documentation of Bhutanese rural life. The Museum will strive to disseminate the rich heritage across generations by preserving it in different forms.

Folk Heritage Museum is also known as Phelchey Toenkhyim was established on July 28th, 2001 with the initiative of the Queen Mother of Bhutan, Her Majesty Ashi Dorji Wangmo Wangchuck. It is dedicated to connecting people to the Bhutanese rural past through exhibits, demonstrations, educational programs and documentation of rural life. Her Majesty is also the founder and patron of the Museum.

Folk Heritage Museum is the oldest historical place in Bhutan. The Museum is more than 150 years old, and one can see that the rural setting and flavor has been well-preserved in addition to the paddy, wheat and millet fields that can be seen here. A traditional water-mill with mill stones, traditional style kitchen gardens with vegetables that were grown over the past 100 years and the famous traditional hot stone bath are also preserved. Native trees and plants that have domestic uses in Bhutanese rural households are being grown here in an effort to keep indigenous knowledge about the use of natural resources alive and to include a patch of greenery, right in the heart of the capital city of Thimphu.

The ground floor entrance to the farmhouse is accessible via a small, partially covered, stone courtyard used to store fire wood, farming equipment and grain. There is also an incense burner even today, for the daily burning of incense as an offering to the protective deities. The ground floor resembles a barn more than the entrance to a home as this is where farm animals are housed during the coldest periods of Bhutan’s harsh winters.

The next two levels of the house is accessible via steep, open-tread timber stairs in which visitors are advised to take caution while moving between floors. The second level of the farmhouse is used primarily as a safe store for grain and food. And on the third level, visitors will have reached the center of the family’s living and dining area. This is the only level of the homestead with heating, generated by a wood-fired stove set against an external wall in the separate kitchen area. Adjoining the kitchen is a living area and also where the entire, often large, family would have slept.

Visit to the Folk Heritage Museum is a unique experience because the principal exhibit of the museum itself is a restored three storied, traditional rammed mud and the timber house dating back to the mid 19th century. The form and the design of the house are that of a conventional; household in the Wang area of that era.

The three storeychorten- shaped temple representing hell, earth and heaven was built in 1421 by the iron-bridge builder ThangtongGyelpo. Also nicknamed The Changzampa, he was a great builder who built 58 iron bridges throughout Tibet and Bhutan and founded “Ache Lhamo” the Tibetan Opera. Legend has it that his opera performances raised the money he needed to build his iron bridges.

The temple has a lot of legend to why it was first constructed. The most popular legend says it was built on the head of a demon to suppress the serpentine force that was getting all inhabitants ill. 

The central tower (utse), the pinnacle of the temple is chained from four directions to the roof of the temple. It is believed that while the consecration was being performed, the central tower moved attempting to fly to Tibet. Thus to stop it from its flight, the central tower was chained down.

The lhakhang is conceived as a mandala, with three different storeys corresponding to the different levels of beginning (Hell, earth and heaven). Each level displays a massive collection of Buddhist painting and iconography as old as the 5th century.  The temple also portrays unique paintings of the progressive stages of Tantric Buddhist philosophy as well as the most important deities and figures of the Drukpa Kagyudpa School. 

It is shaped like a chorten with white tower on top which is not commonly seen in Bhutan. There are stories about Nya goe (Men of great strength) being employed in the construction to lift the massive pillars used in the temple. It is said that on the day of construction, the founder himself appeared in the form of five vultures, and circled the temple showering his blessings. 

The ground floors holds statue of different forms of Buddhas, Avalokiteshvara, Guru Rinpoche andThangtonGyelpo. On the second floor are depictions of Mahakala on the outer wall with hundreds of deities andBardo on the interior wall, the intermediary state between death and rebirth. On the third floor of Dungtselhakang are Tantric deities. Depicted on the exterior wall are Guhyasamaja, Vajrabhairava, Cakrasamvara, Hevajra, Kalacakra, Vajravarahi and Mahamaya.

The lhakhang was restored in the year 1842 by the 25th Head Abbot of Bhutan, SherabGyeltshen.  Beyond DungtseLhakhang, to the east of the road is PanaLhakhang, which is believed to have been built in the seventh century.

Alongside Bhutan’s internationally applauded concept of Gross National Happiness, the jaw- dropping landscapes, and the plethora of Buddhist sights, the country takes a distinct pride in its cultural heritage in arts and crafts, and along with painting, weaving and woodwork, paper making is one of them.

In 1990, the Ministry of Trade and Industry established the Jungshi Handmade Factory (Jungshi meaning natural) in Bhutan's capital Thimphu, to expand the old domestic skill for commercial purposes, and thus give the ancient art relevance in the modern world. Today, they export their products to the US, Japan, Europe, India and Nepal.

In a simple one story building in Thimphu’s southern suburbs, rough natural fibers are extracted from the bark of two species of highland shrubs and slowly transformed into beautiful translucent sheets of paper.  The factory uses the bark of two tree species, the Daphne tree and Dhekap tree in the manufacture of traditional paper. Visitors can observe the entire process of producing handmade paper using ancient traditional methods that have been practiced for generations. You can even try your hand at this ancient craft and make some paper of your very own as a souvenir. Deh-sho paper was originally used by monasteries for woodblock and manuscript books and also for writing prayer books.

It is located approximately 1 km from Thimphu City. The Jungshi paper factory continues to preserve and promote this age-old Bhutanese tradition. It also produces various other products, such as stationery and greeting cards.

What can you see at Khamsum Yulley Namgyal Chorten

 

 

 

 

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How to visit Khamsum Yulley Namgyal Chorten

Namgay Artisanal Brewery is located at Dumsibu, Paro, Bhutan. They brew many styles of beers, considering the different drinking palates for taste, making sure that all beer-lovers are satisfied.

This added to the innovative nature of craft brewers all over the world have taken the market by storm, allowing them always to brew something new.

The flexibility of continually creating beers with fresh ingredients makes this an enjoyable experience for the brewers and connoisseurs alike and the flavor and aroma from the Bhutanese ingredients make the beer more enjoyable than ever before, with a distinct and local taste.

Brewery tour

Wheat beer, Dark ale, and Red rice lager

Photo BhutanTimes.com

Beer tasting: Taste 5 different flavours of beer and apple cider at Namgay Artisanal Brewery at less than USD 5 per person 

An introductory video of Namgay Artisanal Brewery by Bhutan Times

Another unique structure is the prominent National Memorial Chorten. This stupa, which is predominantly white with spires of gold, was erected in 1974 in honor of the father of modern Bhutan, the third king of the country, His Majesty Jiqme Dorji Wangchuck. The Memorial Stupa, Thimphu, also known as the Thimphu Chorten, is a stupa in Thimphu, Bhutan, located on Doeboom Lam in the southern-central part of the city near the main roundabout and Indian military hospital with its prominent landmark in the city of golden spires and bells.

An idea on the Memorial Chorten of Thimphu was framed by Thinley Norbu (1904-1987), according to the Nyingma tradition of Tibetan Buddhism. It was erected in 1974 in memory of Jigme Dorji Wangchuck, 3rd Druk Gyalpo, who had died in 1972. The main patron was the Druk Gyalpo's mother, Phuntsho Choden.

This stupa is unlike others as it does not enshrine human remains. Only the Druk Gyalpo’s photo in a ceremonial dress adorns a hall in the ground floor.When he was alive, Jigme Dorji wanted to build "a chorten to represent the mind of the Buddha" and later after his death late majesty wish was fulfilled by her Queen mother Ashi Phuentsho Choden Wangchuk.Inside you will find mandalas, paintings, statues and shrines dedicated to the king.

Even the architecture of the chorten has been designed to present it as “one of the most visible religious structures in Thimphu”. The Memorial Chorten, in the heart of the city, is designed is a Tibetan style chorten, also called the Jangchup Chorten, patterned on the design of a classical stupa, with a pyramidal pillar crowned by a crescent moon and sun. The feature that is distinct here is the outward flaring of the rounded part to give the shape of a vase (a pyramidal shape), unlike a dome shape. The chorten depicts larger than life size images of wrathful deities with their female consorts in large numbers, and many in explicit Yab-Yum sexual poses.

The exterior as well as the interior of the stupa should be studied intently as this place allows you to peek into the kingdom’s Buddhist philosophy. An exterior of the stupa stand large white structure with a golden spire crowning it and a smaller golden spire above the front porch. It is approached through a small garden and a gate decorated with three slate carvings. On the exterior of the gate are representations of the three protective bodhisattvas – Avolokiteshvara (the symbol of compassion), Manjushiri (the symbol of knowledge) and Vajrapani, the symbol of power.  On the interior are slates engraved with the image of Ngawang Namgyal, Gautama Buddha and Padmasambhava. Large prayer wheels are located to the left. The chorten attracts many elderly Bhutanese on a daily basis who circumambulate the chorten, whirl the large red prayer wheels and pray at the shrine. It has four entrances but only one entrance is open for devotees to visit the shrine.

While the interior of the chorten is decorated with richly carved annexes facing the four directions, and contain mandalas, statues and a shrine dedicated to the third king.The ground floor of the chorten is consecrated to the teachings of Vajrakilya. It has four shrines, each with different pictures of the king; with the eastern shrine housing a Buddha image. From the ground floor, a staircase leads to two more floors and each floor has four shrines. A centrally placed large wooden carving covers all three levels, behind the shrines; a large number of wooden carvings mostly depict wrathful looking protective deities. The roof of chorten is accessed from the second level and a protective railing covers the terrace on the third floor. The second floor is dedicated to teachings of the Drukpa Lineage of the Kagyud school to subdue eight varieties of evil spirits and the top floor is dedicated to the teachings of Lama Gongdu. Combined, these three floors form the esoteric teachings of the Nyingmapa sect. All of the texts were once hidden by Padmasambhava and were rediscovered by tertöns in the 19th, 12th and 14th centuries respectively.The top floor has paintings depicting various deities of the Nyingma School, and visions which appear in the bardo. Above the top floor there is a gallery, which can be walked around the circumference of the chorten and which offers spectacular views of the city.

Owing to her rich history, the Chorten holds in great religious fervour. Devotees circumambulated only in a clockwise direction (reciting prayers and whirling the large red prayer wheels), as is the rule for any religious structures in Bhutan. The Moenlam Prayer Festival is held here when the Je Khenpo (the religious head of Bhutan) addresses and blesses those who congregate for the occasion.

Punakha Suspension Bridge is the longest suspension bridge in Bhutan measuring 180 m in length. From the bridge, you can get a spectacular view of the Po Chhu river (male river) and the valley. It’s an ideal place for a photoshoot with a stunning background. You will definitely enjoy the cool and breezy vibes from the suspension bridge.



This ancient suspension bridge dates back all the way to 1637 when Punakha was in its glory as the capital city of Bhutan. The bridge is believed to be built by the great architect and iron bridge builder Thangtong Gyalpo. The suspension bridge has undergone several years of renovation and was originally built to connect Punakha Dzong to the small villages of Shengana, Samdingkha and Sangkha, on the other end of Pho Chhu river. Traditionally, bridges have always been the means for villagers to get from one place to another.

The suspension bridge is adorned with vibrant colourful Buddhist prayer flags. As the bridge relies on cables anchored in huge cement blocks to connect one bank to another, the bridge will swing in strong winds. Some say that walking across the suspension bridge in Punakha is for adventurous souls. It sure gives one an adrenaline rush when crossing a wobbly bridge.



Enjoy the peace and serenity of Bhutan as you stand on the suspension bridge. Admire the clean water gushing in the river. Embrace the crisp air that you are breathing. And simply absorb all the positive vibes from the fluttering prayer flags. The mountains surrounding the suspension bridge enhance the breathtaking view of Punakha suspension bridge.

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Among Thimphu’s many tourist attraction is the BBS Tower, also known by the name Sangaygang. Bhutan Broadcasting Service (BBS)runs the radio and television network of the country and has a telecommunication tower built on the hilltop. It is located at 2685m and offers the view of entire Thimphu valley. The place is best enjoyed during the evening when the sun is setting and the whole city is lighting up.

To residents, it is more than just a view point. Surrounded by blue pines and colorful prayer flags, it attracts fitness lovers specially before and after office hours, trying to get an hourly walk or a jog. And once dark, it becomes a lover’s lane. Famous among young couples, many walk or drive uphill with their date.

Sangaygang also draws people during holidays or weekends. Families and friends gather for a lovely dry picnic and some photograph session. It is also popular among cyclist with many practicing uphill. A lot of biking tours racethrough the route.

The Tower is half an hour drive from the main town with good motor road access.Visitors can avail either bus or taxi to go the tower. You can drive up to the top or park at the base and walk uphill.

Hikers can take anhour long mild hike to WangditseGoembafrom the Radio Tower. Founded in 1750 by the attendants of Bhutan’s 8th Desi, YesheyRabgye, the Goemba houses the statues of the guardian deities YesheyGonpo (Mahakala), PaldenLhamo (Mahakali) and Tsheringma (the Goddess of Longevity). The trail along the way offers amazing view ofTrashiChhoeDzong, Thimphu valley and the mountains of the north.

On the way back, stop at the Takin (National Animal) preserve. Originally a mini-zoo, it was converted into a preserve when it was discovered that the animals refrained from inhabiting the surrounding forest even when set free. 

Sangaygang remains open 24x7 for anyone to visit although the entrance to the Radio Tower is a restricted zone.

• Wearing the Gho and Kira. All tourists are given a set of beautiful traditional dress that you can even try while at the museum. You are even allowed to wear the beautiful Bhutanese traditional dress. They also offer the dress to children and allow you to take photographs of them for future reference.
• You will also get an opportunity to see how the traditional Bhutanese houses were constructed. You can also try a hand at the archery and the dart game that is locally known as Khuru.

Tachogang or Tachog Lhakhang meaning the ‘Temple of the Hill of the Excellent Horse’ was built by the legendary Great Iron Bridge Builder, Thangtong Gyalpo (1385-1464). Legend has it that one-day Thangtong Gyalpo was meditating at the very same spot when he had a vision of the spiritual horse, Balaha, an emanation of Chenrezig Avalokiteshvara, which inspired him to build a temple. Thus the temple was named Tachogang Lhakhang – “Temple of the Excellent Horse”

Thangtong Gyalpo was a wonder-working saint and engineer who is believed to be the first to use heavy iron chains in the construction of suspension bridges. He built numerous iron bridges and temples across Bhutan and Tibet in the 15 century, some of which are still in use today. It is said that the iron bridges built by Thangtong Gyalpo have heavily influenced the suspension bridges constructed in Europe and Asia.



Tachog Lhakhang temple is beautifully positioned on the base of a mountain. The main shrine of the temple houses numerous relics: a statue of Lord Buddha, Zhabdrung, Guru Padmasambhava and Chenrezig Avalokiteshvara. There is also a stack of ancient books (Kangjur and Tenjur), and a walking stick of Lam Thangtong Gyalpo.

Tachog Lhakhang is a private monastery run by the descendants of Thangtong Gyalpo. Visitors can request the monks for a quick visit inside the temple. The temple is surrounded by beautiful orange and apple trees. The residents are also seen caring for rescued cattle.

The temple conducts tshechu (festival) every year where the monks come together to read the Kanjurand Tenjur for the well-being of all sentient beings. Even the mask dances performed are said to be unique and different from the other masked dances.

To visit the temple, you need to cross through a 900 years old traditional bridge. The iron bridge was originally built in 1420 but got washed away in a flood in 1969. However, the bridge has since been restored in 2005. Many travellers express their exhilaration crossing the ancient bridge.

Tachog Lhakhang is located along Paro-Thimphu highway, before Chhuzom and right after Isuna village. It is just a 10 minutes walk from the highway.

It is a great spot for photography with a stunning view and peaceful ambience. You can also see rafters enjoying their rafting experience along the Pa Chhu river.

Here’s how a traveller described her Tachog Lhakhang experience:

 

 

 

 

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Motithang Takin Preserve, located in the Motithang district of Thimphu, Bhutan is a wildlife reserve area for Takin, the national animal of Bhutan. Originally a mini-zoo, it was converted into a preserve when it was discovered that the animals refrained from inhabiting the surrounding forest even when set free. The reason for declaring Takin as a national animal of Bhutan is attributed to a legend of the animal’s creation in Bhutan in the 15th century by Lama Drukpa Kunley.

The local mythology related to declaring Takin as the national animal of Bhutan is dated to the 15th century. A Tibetan saint by the name Drukpa Kunley, popularly called by the epithet “The Divine Madman” is credited with creating the tamin with unique features. Drukpa Kunley, who was not only a religious preache, but also a proficient tantric, was requested by the people of Bhutan during one of his religious lectures to conjure a miracle before them. The saint agreed to do so provided he was fed for lunch, a whole cow and a whole goat. Once served, he devoured the food of both animals and left out the bones. He then took out the head of the goat and fixed it to the skeleton of the cow and uttered abracadabra and the magic worked. With a snap, he created a live animal, which had the head of the goat and the body of the cow. The animal sprang up and moved on to the meadows to graze. The animal was then given the name dong gyem tsey (Takin). Since then this animal has been a common sight in the hills of Bhutan. Because of this magical creation with high religious connotation, the animal has been adopted as the national animal of Bhutan

When a small number of Takin were confined in a "mini-zoo" in Thimphu, the King of Bhutan felt that it was improper for a Buddhist country to confine animals for religious and environmental reasons. He therefore ordered the release of the animals and the closure of the mini-zoo. To everyone’s surprise, the Takin, known for their docile behavior, refused to leave the immediate area, and strayed in the streets of Thimphu in search of food for weeks.

Given that the animals had become virtually domesticated, it was decided to keep them in an enclosed, forested habitat at the edge of Thimphu and thus the Takin preserve came to be established in the Motithang neighborhood. An area of 3.4 hectares (8.4 acres) was demarcated and fenced for the preserve. Improvements were implemented in 2004, a collaborative effort of the Royal Government of Bhutan and World Wide Fund, WWF (Bhutan), including a traditionally styled entrance gate, a small information center, signage and trash receptacles. Small openings in the fencing allow photo opportunities (intended) along with unregulated hand-feeding (unintended). As a result, most of the captive animals in the enclosure are obese. The preserve also holds a few sambar and barking deer. The Motithang Takin Reserve has been an integral part of Thimphu city and is an ongoing visitor attraction. NCD plans to expand the collection of the preserve by introducing other rarely seen animals of Bhutan such as the red panda, and the Himalayan serow.

Takin attract attention due to their unusual appearance; taxonomists were originally uncertain of this animal's phylogeny and many people describe it as a “bee-stung moose”. Bhutan Takin (Budorcas taxicolor whitei) is listed as a vulnerable species of goat-antelope, native to Bhutan, India and the People's Republic of China.

Its habitat is alpine meadows during the summer season, above an altitude of 3,700 metres (12,100 ft), where they feed primarily on grasses. During the summer monsoon season, the lower elevation forests are inhospitable for Takin due to the abundance of leeches, mosquitoes, and horseflies. Alpine meadows provide rich grazing for Takin and as a result some males have been reported to weigh as much as a tone. Courtship and mating occur in July and August. After a gestation period of about 8 months, a single calf is born, usually in late February or March. Adult takin have a golden yellow and brownish coat; calves are initially black in colour. As the rainy season tapers, the animals move down to elevations of 2,000 metres (6,600 ft) and 3,000 metres (9,800 ft) to browse during the winter season on temperate vegetation of broad leaf forests.

Takin have little economic value; they provide a traditional medicinal use by women to help them during child birth, and are of keen interest to a relatively small but uncertain number of trekkers annually in Bhutan.

Genetic health of the animals in the Takin preserve is believed to be on the decline due to inbreeding, according to the Nature Conservation Division (NCD) of the Ministry of Agriculture of Bhutan (NCD). The NCD is planning to introduce fresh genes of one male and two female Takin from the wild. Wild populations of Takin are believed to be stable, though there are no published studies to confirm this, and no one knows how climate change will affect the population of this species in Bhutan. The only known threats they face are from predators and very occasional poaching.

For the best Bhutanese artistry, you will find anywhere, visit the Craft Gallery, a store located in the old Textile Museum in Thimphu. The shop showcases some of the finest work by local artists, and the most you will find in one place anywhere.

The Craft Gallery is a project of the Gyalyum Charitable Trust, which was instituted last year by Queen Mother Sangay Choden Wangchuck. The Gyalyum Charitable Trust is a project to create a sustainable enterprise in Bhutan. As a chapter of the trust, the gallery will work with local artists, will promote and develop products as well as create visibility for Bhutanese arts and crafts around the world.

The Graft Gallery is open from Monday to Saturday, 10:00 a.m. until 6:30 p.m.  The gallery is across the street from the Bhutan Development Bank, and behind the Dept. of Revenue and Customs.

Traditional arts and crafts of the Bhutanese people are on display and available for purchase. Artists involved are also creating modern works to express their own art. The Craft Gallery's mission statement says it will promote all kinds of Bhutanese arts and crafts and work toward marketing them. They will seek new avenues for the art, and they hope to generate some money to promote the development of even more art.

They are hoping to open the shop up to more international customers. There you may find traditionally made textiles created the way they have been for hundreds of years. Traditional items also include wood carvings and ceramic products. Tote bags and handmade jewellery are also available.  There are wooden pots made the way they were made more than 100 years ago, as well as some more modern woodworking artistry.

Traditional masks and traditional Daphne paper, are also made by artists at the shop. Incense and various traditional cleansing powders of the Butan people are also made locally. There are embroidery products as well as shawls or scarfs.

The art has all been made by hand, and that gives each piece of a unique sense of its own. Some items have been imported but most are made by hand by local artists.

Promoting the arts is one of the Queen Mother's priority, supporting the preservation of traditional art like textile weaving and woodworking. She wants to preserve the rich cultural heritage of the country. The Craft Gallery is one of several initiatives the Queen has started to promote the well being of the people. She serves as the president of the Gyalyum Trust.

The tiny Kingdom of Bhutan is renowned for producing some of the world’s finest textiles. Weaving is an integral part of Bhutanese culture and tradition. Thagzo or weaving is one of the thirteen traditional crafts of Bhutan (Zorig Chusum).

You’ll witness the locals don stunning intricate textiles - traditional kira and gho - on a daily basis. Bhutanese textiles are a unique art form with an interesting blend of colour, texture, pattern and composition. Each of the 20 districts and regions in Bhutan has its own special designs of textiles.

Bhutan Textile Museum
The establishment of the Textile Museum in 2001 gave the Bhutanese and visitors from all over the world a chance to enjoy the incredible craft of Bhutan. The Bhutan Textile Museum or the National Textile Museum under the patronage of Queen Mother Sangay Choden Wangchuck seeks to promote the rich and remarkably vibrant culture of the Bhutanese. To achieve its noble goals and aspirations, Royal Textile Museum has invested heavily in research and studies in a bid to promote and preserve the precious Bhutanese culture. The museum continues to scoop highly coveted awards and accolades for the quality textile artifacts on display. What’s more, the museum has some of the most friendly and knowledgeable tour guides who ensure that you get to learn about the ancient weaving practices across Bhutan. The museum plays an important role in collecting, documenting, interpreting and preserving Bhutan’s textile heritage.



Genesis

• Did you know that the idea to set up a one-of-a-kind textile museum was first coined by Her Majesty, Queen Mother Ashi Sangay Choden Wangchuck? The Queen Mother envisioned a space where artists from Denmark and other nations come to showcase different weaving skills and methods. To get the textile museum project rolling, the Queen Mother and the Danish government came together and injected a massive capital of around $160K.

Live Weaving

• In recent years, the museum has welcomed new private donors and other benevolent well-wishers. For instance, the cultural center receives technical and financial support from the reputed Peabody Essex Museum in the US. Those dollars were well spent on refurbishing the dilapidated textile museum buildings and towards their eventual maintenance. Today, the brand new buildings defining the Bhutanese historical center are a major hit with tourists and scholars who stop by the premises on a daily basis. Another hot attraction feature at this museum is the live weaving studio rooms.

It is quite easy to sift through the tons of different fabrics on display at this world-famous Bhutanese inspired culture pot. The displays at the Royal Textile Museum are labelled as follows:-

• The Royal Collection

• The Role of textiles in religion

• Achievements in textile arts

• The weft pattern weaves

• Textiles from indigenous fibres

• The warp pattern weaves

Six Displays
Many visitors to the enchanting museum are instantly drawn to the Royal Collection section. The Royal Collection is vastly endowed with rare, precious and breathtaking royal artifacts that have remained private until recently. A few of the notable high-profile royal collections on display include the personal bedding of his Holiness Shabrung Dorji Jigme and the first Bhutanese raven uzhams or crowns. Schedule a tour at the National Textile Museum and get a rare opportunity to sample the above-mentioned displays and many other enlightening and interesting Bhutanese artifacts.

The Textile Museum of Bhutan dedicated solely to the textile arts was a monumental contribution to the protection and recognition of the textile arts.



Virtual textile exhibition
In response to the COVID-19 pandemic, the Textile Museum has initiated a virtual exhibition to provide national and international textile enthusiasts to tour the museum. You can view the ‘Thagzo - the Art of Weaving’ and ‘Royal robes - Wangchuck Dynasty’ exhibition virtually for free.

Where is the Textile Museum and the Royal Textile Academy?
The National Textile Museum is located at Thimphu, conveniently close to the town’s handicraft market and near the National Library of Bhutan in Norzin, Lam, Bhutan.

Royal Textile Academy (RTA)
As the recognition of Bhutan’s textile arts has grown, and the collections required a larger venue for study, display and storage. Her Majesty the Queen Mother Gyalyum Sangay Choden Wangchuck recognized the need to expand the Textile Museum. With the aim to preserve and promote the art of weaving, Bhutan instituted the Royal Textile Academy (RTA) in May 2005. The non-profit organisation is under the patronage of Her Majesty Queen Mother Sangay Choden Wangchuck. RTAB is dedicated specifically to the textile arts of Bhutan and would be a national repository to collect, document, develop, preserve, exhibit and conduct research which would be appreciated and safeguarded for future generations.

Where to buy high quality textile in Bhutan?
Visit The Craft Gallery in Thimphu for a huge range of high quality textiles. The Craft Gallery was also an initiative of Queen Mother Sangay Choden Wangchuck to support local artisans and to preserve Bhutanese crafts.

The Bhutan Textile Museum or the National Textile Museum is a national textiles museum in Thimphu, Bhutan, located near the National Library of Bhutan. It is operated by the National Commission for Cultural Affairs. Since its establishment in 2001, the museum has generated national and international attention and has garnered a substantial collection of antique textile artifacts, exclusive to Bhutan. The objective of setting up the museum is to promote Bhutan's achievements in the field of textile arts and to sustain and promote interest of the weavers to continue the traditional textile patterns. The museum also envisions becoming the centre for textile studies and research. The purpose is also to promote the history and culture of Bhutan.

The significance of Bhutan's textiles is attributed to many factors such as: its intricate patterns in textile art (unique in the world), skills and methods adopted in their creation, noteworthy role in religious, official and social events represented by "glyphs and symbols of ancient knowledge" and their deep sacred connotation.

The Bhutan Textile Museum was first conceived by Her Majesty, the Queen Mother Ashi Sangay Choden Wangchuck. It was established in 2001 and inaugurated by the Queen. Danish funding to the tune of US $165,000 enabled development of the infrastructure of the museum. Government of Bhutan and private donors has also provided assistance to set up the museum and the technical support of the Peabody Essex Museum in the United States.

Her Majesty, the Queen Ashi Sangay Choden Wangchuck is also the patron of the museum and has helped in boosting both national and international interest in Bhutan’s textiles and textile art traditions. Bhutan's textiles are an integral part of its cultural and heritage and are unique for their diversity and sophistication. Textile Museum at Thimphu has given a new platform to the nation’s textiles and Bhutanese weavers and boasts of an invaluable collection of antique textile artifacts of Bhutan. Some of the museum’s gems are the pearl robe from Tsamdrak Goenpa, crowns of Bhutan’s Kings, Namzas (dresses) and other accessories worn by the Royal Family, personal bedding of His Holiness Zhabdrung Jigme Dorji and the first version of the Raven Crown.

The ground floor of the Textile Museum displays skills of making cloth such as spinning, coloring fibers, preparing a loom, and manipulating two sets of yarns. It also displays decorative fabrics produced by Bhutanese weavers that can be used for several uses such as clothing, ceremonies and blankets. Various textile arts and crafts are categorically displayed in the galleries situated on the first floor of the Textile Museum. The highlights here include traditional regional garments and masterpieces produced by women and men. Women are the chief weavers in the household and men mostly embroider and appliqué for sacred and ceremonial use.

The six categories in which the exhibits are displayed are:

• Achievements in textile arts,
• Role of textiles in religion,
• Textiles from indigenous fibers,
• The Royal Collection,
• Warp pattern weaves, and
• Weft pattern weaves.

The museum has reintroduced traditional patterns and has brought Bhutan's unique achievements in the textile arts to light. The museum is slowly moving on the path to become a center for textile studies and carry out documentation, research and studies on textiles and other activities of the museum are:

• National Design Competition: Held annually in September and October, the best textiles during the competition are selected through public polling, instead of the panel of judges. Some of the categories in the competition are Pesar, Traditional Designs, Innovative Designs, Appliqué and Embroidery. A textile festival may also be held during the design competition.
• Auction of Modern Contemporary: The auction is still ‘under consideration’. The museum’s plan is to buy the best pieces of textiles from all interested weavers and sellers around the country, to quote the original price of the pieces quoted by the weavers as the ‘base price’ of the piece, and then perform the auctions. The bid amount that will exceed the base price will go to the textile museum. This plan is believed to be an encouragement to weavers to come up with better quality textiles and more intricate and appealing designs.
• Actual Demonstrations: Museum may also apply two weavers permanently to demonstrate to the visitors how the textiles are actually woven. One weaver will be for Pangtha and another for Thuetha style of weaving.

The crystal clear rivers of Bhutan are one of the kingdom’s most precious natural resources. The pristine environment and the sheer variety of the rivers' courses provide a unique opportunity for travellers to explore Bhutan’s beautiful wilderness. The rugged, untamed waterways of Bhutan will not disappoint the adventurous seekers.  The rivers are plentiful with strong currents varying between slow, gentle flows in some places and powerful, raging torrents in others.

There are six rivers in Bhutan, and if you are a highly-skilled rafter, you can choose a multi-day water trip and explore Bhutan's stunning landscapes. Or have a combination of rafting and trekking itinerary. Fed by the glacial-melt of the Eastern Himalayas, six major rivers (Wang Chhu, Sunkosh, Puna Tsang Chhu, Mangde Chhu, Kuri Chhu and Dangme Chhu and their tributaries), have been scouted for kayaking and rafting.

Rivers are graded from Class I to Class VI, I being easy to VI being dangerous. The river courses in Bhutan offer something for all rafters, regardless of experience. There are easy routes for beginners and difficult runs for the veterans.



Best time to do rafting in Bhutan

The best time for rafting and kayaking is from March to April and November to December. In the summer, from April to October, rafting operates from 6am to 5pm (last departure) and during winter from November to March, rafting operation timing is from 7am to 3pm (last departure).

How much does it cost to do rafting in Bhutan?

It costs minimally 10,000 ngultrum (approx. USD150) per raft. A raft can take up to six passengers excluding the rafting guide and your tour guide.

Who can do rafting in Bhutan?

Children below aged 7 is not allowed. Children above aged 7 to 13 must be accompanied by adults or guardians.

Is it safe to do rafting in Bhutan?

Safety is a priority and all rafters will be briefed, securely equipped and safely guided throughout the entire journey. The only thing needed is a willingness to paddle and perhaps even get a little wet! Life jackets, helmets, waterproof bags and rubber slippers will be provided.

Even if you are totally new to rafting without prior experience, fret not, as the rafting guides will raft you through the journey safely. The rafting guides are highly trained and experienced in rafting and kayaking. The guides have obtained safety rafting guide certificate in institutions recognised nationally or internationally. Rafting is a fun and safe activity to do in Bhutan with your family or friends. If you have children or elderly with you, opt for the rafting in Mo Chhu river as it's milder than the Pho Chhu river.

Where can I do rafting in Bhutan?

Today, there are many sites for kayaking and whitewater rafting in Bhutan. The most popular one is in Punakha along Mo Chhu (female river) and Pho Chhu (male river) and in Paro along Paro Chhu.

The first river Pho Chu is 16km long with 15 rapids of class 2 - 4. The second river Mo Chu is 10km long with 10 rapids of class 2 and 2+.

Pho Chhu river is one of the most popular rafting spots amongst tourists. You'll pass through stunning landscapes of Punakha valley and see rare exotic birds such as White-Bellied Herons and Kingfishers. Rafting will meander along the upper Pho Chhu with a series of Class IV rapids immediately below the village of Wangthangkha. Further downstream, experienced rafters will enjoy the Class III rapids as the fast-flowing river eases and slows. Prior to September 2018, rafters can even raft pass the majestic Punakha Dzong taking in its glorious presence. As of September 2018, rafting in front of Punakha Dzong is not allowed.

The rafting takes about 1.5 hours to complete.



Whitewater rafting in Bhutan a recommended activity for those who wants to experience Bhutan in a fun, memorable and relaxing manner.

History of Rafting and Kayaking in Bhutan

It was in 1997 that Bhutan hosted the very first kayak expedition in the country. The expedition consisted of a team of international kayakers including Gerry Moffatt and Peter Knowles from the United States. The team was hosted by Tourism Council of Bhutan, known as Tourism Authority of Bhutan back then.

The team was invited to look into adventure activities in Bhutan for tourists. During the month-long expedition, Gerry and the team mapped the major river systems and kayaked down the unexplored gorges and crystal-clear rivers of Bhutan. Prior to visiting Bhutan, Gerry worked in Nepal on a British expedition in 1983 at the age of 18. Over the next 20 years, he became the first man to descend down all the major rivers in the Nepalese Himalayas.

Gerry plays a pivotal role in kickstarting the whitewater rafting and kayaking activities in Bhutan. He is a whitewater consultant for Bhutan and trains the local tour guides on the kayaking and rafting skills.

Being the first team to kayak in the country, the team had to figure out everything by themselves including the logistics. The team helped in bringing resources and contacts to develop the kayaking and rafting industry within the country.

With Gerry and his team’s connection at the Discovery Channel, the first film crews were brought into Bhutan to document the first descent from Mangdechhu in Trongsa to Manas in 2006. It was another milestone achieved for Gerry and 17 other members. The documentary is titled ‘Adventure Bhutan’. Gerry described the experience as very challenging since the most of the rivers falls under Class V white water only for experts.

Aside from Gerry, experts like Land Heflin from the United States frequently visit Bhutan to kayak. Land first visited Bhutan in 1999, working as kayak guide. A few years later, Land returned with his company bringing a group of people to kayak and travel around Bhutan.

If you are keen to have a rafting experience in Bhutan, you just need to inform us that you will like to add-on a rafting adventure to your travel itinerary. Kayaking can also be arranged.